The EOS C300 Mark II Digital Cinema Camera features a new log gamma designated as Canon Log Gamma 2, which was designed explicitly for the camera's 10-bit recording capabilities. In other words, both are expected to produce stellar image quality that 99% of clients will approve of (the remaining 1% can pay extra for that Arri rental). C300 Mark III: XF-AVC: MPEG-4 AVC/H.264, Compressed RAW (Cinema RAW Light) The only cameras that allow us to shoot internal RAW are C500 Mark II, C300 Mark III, and C200. Subscribe. Using Canon supplied IDTs, images captured on the EOS C300 Mark III can be imported directly into the ACES compatible systems. For true anamorphic, the sensor needs to span at least 21.95mm x 18.6mm. The C300 Mark II can record in both formats, and furthermore adds a super-efficient Long GOP version of XF-AVC as well. However, it remains to be seen if this holds over the entire spectrum of ISOs or if the C500 Mark II holds up better. The Canon 300 Mark II and the original C500 both had audio modules separate. Therefore, for the purposes of this article, let’s assume they are both good enough for practical situations. As soon as you wanted to achieve more than 60fps, most of the cameras cropped massively into the sensor. You also have the option to opt-out of these cookies. Have a look at the list below: The only cameras that allow us to shoot internal RAW are C500 Mark II, C300 Mark III, and C200. EOS C300 Mark III Accessories. This is where the Canon C300 Mark III really makes a practical difference. The FX9 delivers that, the C300 Mark III … On several occasions the producer chided me for framing a C stand in the shot. Both cameras can record HD proxies simultaneously. If you really wanted that option you are better off with the C500 Mark II. The Canon C300 Mark III cannot do true anamorphic due to the smaller sensor height. The new information says the C300 Mark III will remain a 4K Super35 camera, but with a more modular design like we see with the C500 Mark II. Don’t forget to take that into account. These … Also, the chart can be downloaded from Canon’s website. Media card costs are an important percentage of ownership: If you compare apples to apples (4K to 4K), the data rates are similar. The line was initiated in the Super 35 sensor size than extended to full-frame, and back to Super 35 with the brand new C300 Mark III. For just Genlock, you can purchase the cheaper Canon EU-V1: It is clear if you need the cameras for any sort of regular broadcast work you will have to purchase the EU-V2 expansion unit. From then, this family has been thriving and expanding, by offering new options and technology. Get updated with News & Insights on Digital Cinema! Canon EOS Cinema cameras are popular among independent professional productions. Both cameras have Dual Pixel AF with support for Touch AF and Face Detection AF. . The good news (or bad news, depending on how you look at it) is both cameras have the exact same ergonomics in terms of buttons and dials: Those who are purchasing either camera are probably mainly into documentaries, corporate videos, commercials, high-end weddings and maybe the occasional short or feature work. As for this moment, the brand new C300 Mark III is not on the list. Hi, Thanks for the comparison. For me the Canon C500 Mark II strikes a great balance here. The full list of XF-AVC codec and framerate combinations is below, but it’s worth highlighting that the C300 Mark III can shoot 4K 50p in the highest setting. Original batteries only, from B&H. Super35 Dual Gain Output (DGO) Sensor; 4K 120p, 2K Crop 180p HDR Capture; Canon Log 2, 3, PQ & HLG Recording; RF Lens Mount / EF … Both the Canon C300 Mark III and Canon C500 Mark II were launched relatively close to each other. Email Address In other words, does the extra $5,000 for the C500 Mark II translate into real-world advantages for professionals? We'll assume you're ok with this, but you can opt-out if you wish. The modular body is expandable to suit all of your filming and the accessories are the same as the C500 Mark II for greater flexibility and compatibility. In proportion you might be spending 50-60% over what you would be spending with the C300 Mark III. This means you don’t have to go down to 2K or HD just to get high frame rates, and you can take advantage of all the possibilities of 4K. This category only includes cookies that ensures basic functionalities and security features of the website. Yossy is the founder of Y.M.Cinema Magazine. A lot of C300 Mark II users jumped to the C500 Mark III without knowing a C300 Mark III would follow soon after. I think the C500 Mark II, C300 Mark III and C200 Mark II will be compatible with an RF-mount conversion that was rumored earlier. Here’s the question: Which camera would have the better autofocus? Yossy is a filmmaker who specializes mainly in action sports cinematography. Canon doesn’t make lenses for both formats you can compare directly. On the other hand, the full frame sensor of the Canon C500 Mark II does offer two tremendous advantages due to the larger sensor: For a lot of professionals, in this price point, usability is as critical as image quality. This codec was announced with the C200 back in 2017 and since then is being implemented in the Cinema EOS to offer a decent compressed RAW alternative internally. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. Security features of the cameras cropped massively into the sensor as you wanted achieve! 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